A warm hello to everyone for the Spring Equinox this month, a time that ushers in dynamic fresh warming breezes and Persephone’s annual rebirth witnessed by the appearance of crocuses and daffodils sprouting from the cold winter earth. I am still immersed in finishing my workbook on ancient astrology, but before too much time had gone by, I wanted to share my observations concerning Moonlight, the film that won this year’s Academy Award 2017 for best motion picture.
Tony Howard has suggested that the chart of a movie can be taken from the time of its premiere showing. A recent conversation with Keith Murray asking what I thought about the significance of Chiron as the name of the main character in Moonlight reminded me that I had wanted to explore this symbolism in the astrological charts of the film and the actors. I have long felt that artistic creations that resonate strongly with the collective express some universal archetype and the chart of the film is one way to access its deeper significance.
Look at the following chart for Moonlight’s world premiere showing on Sept 2, 2016 at 8pm at the Telluride Film Festival in Colorado (whole sign houses). The presence of Chiron on the Ascendant within 2 degrees of orb is a striking testimony to the power that the names of celestial bodies that mark prominent positions in the chart have in shaping the story that is told.